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Pauline Gallagher Mina Blue Statement Adjustable Ring - Sd063
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Pauline Gallagher Mina Blue Stud Earrings - Sd042
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Pauline Gallagher Mina Circle Blue Earrings Mo Resin
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Pauline Gallagher Woolen Scarf
$135.00
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Pauline Nampijinpa Singleton Organic Cotton Summer Scarf
$42.00
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Pauline Nampijinpa Singleton Quilted Baby Blanket 100x78cm From Better World Arts
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Pelican by Lisa Mununggurr #43
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Pepperberry 20g by Mabu Mabu
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Pepperberry Almond Dukkah By Kakadu Tucker
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Peppermint Gum Ground 20g
$21.00
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Perentie at Waterhole by Bevan Tjampitjinpa #53
$150.00
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Phil's Dummy Product
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Pictures from my Memory: My Story as a Ngaatjatjarra Woman
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Piggly Wiggly Tote Bag by Sally Mulda
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Piggly Wiggly Tote Bag By Tangentyere Artists
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Pauline Gallagher Mina Blue Statement Adjustable Ring - Sd063
Pauline Gallagher Mina Blue Statement Adjustable Ring - Sd063

Pauline Gallagher Mina Blue Statement Adjustable Ring - Sd063

Regular price $85.00
2 in stock

MINA MINA DREAMING 

This Jukurrpa / Dreaming comes from Mina Mina, a very important women s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The kirda / owners of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of mulju / water soakages and a maluri / clay pan at Mina Mina. In the Dreamtime, ancestral women danced at Mina Mina and karlangu / digging sticks rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ngalyipi / snake vine [Tinospora smilacina], and creating many places as they went. Ngalyipi is a rope-like creeper that grows up the trunks and limbs of trees, including kurrkara / desert oak [Allocasuarina decaisneana. It is used as a ceremonial wrap and as a strap to carry parraja / coolamons and ngami / water carriers. Ngalyipi is also used to tie around the forehead to cure headaches, and to bind cuts. The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like jintiparnta / desert truffle [Elderia arenivaga]. The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland. In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ngalyipi / snake vine. Concentric circles are often used to represent the jintiparnt /desert truffles that the women have collected, while straight lines can be used to depict the karlangu / digging sticks.

A 10% royalty on all sales is credited to the Artists

Perentie at Waterhole by Bevan Tjampitjinpa #53
Perentie at Waterhole by Bevan Tjampitjinpa #53

Perentie at Waterhole by Bevan Tjampitjinpa #53

Regular price $150.00
1 in stock

  • Artist: Bevan Tjampitjinpa
  • Title: Perentie at Waterhole
  • Language: Anmatjere
  • Region: Ti-Tree, NT
  • Clan: Pmara Jutunta
  • Dreaming: Ahgee (Bush Plum)
  • Size: 43 x 25cm
  • Medium: Acrylic on Canvas

Biography:

Bevan Tjampitjinpa was born in Darwin and grew up visiting his homeland. Bevan studied in Darwin until Year 10 before moving to Ti Tree which is his Grandmother, Grandfather and Mother’s country and later moved to live with his Elders on the Anmatjere Lands.
 
He lived permanently with his Elders for the next ten years being taught the traditional ways and being initiated into the ceremonies and laws of the desert region. Bevan speaks fluent Anmatjere and knows the traditional law and how to hunt for bush tucker and bush animals
 
Bevan was taught to paint by elders in his family. From an early age he was interested in his family’s art and wanted to learn how it was done. Bevan was encouraged to use both brush and stick to produce traditional art which took him a number of years to perfect.
 
Bevan was taught by Peggy Nungulla Reily, Beryl Pultura, Barbra Leo, Judith Ross, Tommy Mbtajana and Mark Cook. His training covered a variety of techniques which included Dreamtime symbology and how to interpret various landscape features into the canvas. He was also taught how to make spears, shields and fighting sticks (nulla nulla) which are an important part of the hunting stories he portrays.
 
Bevan uses the traditional symbols to reflect the men’s hunting forays that he has been involved in and the women’s hunting and gathering expeditions that he has joined them on, to tell a modern story of how his family group and clan currently live.


Bevan’s presentation of his artwork shows the world a beautiful and educational story of his culture, family group and the depth of spirituality of his people. Bevan’s focus is on hunting stories and shows the every day life of these traditional people and how they find and gather food for the family group. The main source of life for people in this harsh desert is the waterhole that he depicts in many of the artworks.
 
Bevan is passionate about his culture and his art and is an artist destined to succeed.


Phil's Dummy Product

Regular price $5.00
-1 in stock


ABORIGINAL BUSH TRADERS
Shop 4, 19 The Mall, Charles Darwin Centre (Opposite Tourism Top End), Darwin, NT, 0800.
Ph: 08 8931 6650
Email: info@aboriginalbushtraders.com


DRY SEASON HOURS
Gallery: Monday - Friday 9am – 3pm.

Café: Monday - Friday 7am – 2.00pm (Kitchen closes at 1.30pm).


Aboriginal Bush Traders is 100% not-for-profit.

We would like to acknowledge the Aboriginal and Torres Strait Islander People of Australia, the Traditional Owners of this land. We pay respect to them and to their Elders both past and present.

Aboriginal and Torres Strait Islander people are advised that this website may contain images and references to deceased people.

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