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Celebrating the distinctive artistic style of Kaltjiti Arts artist Kanytjupai Robin, this journal will delight the user with many distinct features including the glorious ink on paper painting of Tjulpun-Tjulpunpa featured on the front cover. Spring wildflowers on the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. This journal has been designed for multiple uses including taking meeting notes.
Note Book Hard Cover-MNM619
Two dog ancestors, a Jampijinpa and a Napangardi, travelled from the west to the east. They dug holes in the ground and created warnirri (rockholes) and ngapa (waterholes) as they went. The two dogs separated. Eventually Jampijinpa became lonely and howled for Napangardi in the south. She came running to him, and they married each other at Ngarnka.
Note Book Hard Cover-DYM931
This is a teaching painting, describing a dry season in Damien's homeland, Mount Liebig, in the Northern Territory. It illustrates aspects of landscape and culture that was told to Damien by his great-grandparents. Women sit with children collecting bush potatoes (the red shapes at the top of the painting) and are preparing for inma (ceremony). One man, wati, sits down with his waru (spear). Controlled burnings are taking place as the spinifex is dry, and this means good fruits can grow. The small star-like symbols represent women's body paint that the women paint on each other for inma. A dry creekbed runs through the painting (in red and white), and there are cracks in the claypans, dried rockholes (tjukula), and sandhills (tali).
A4 Spiral Bound Note Book 100 pgs-MNM619
Two dog ancestors, a Jampijinpa and a Napangardi, travelled from the west to the east. They dug holes in the ground and created warnirri (rockholes) and ngapa (waterholes) as they went. The two dogs separated. Eventually Jampijinpa became lonely and howled for Napangardi in the south. She came running to him, and they married each other at Ngarnka.
A4 Spiral Bound Note Book 100 pgs-DYM931
This is a teaching painting, describing a dry season in Damien's homeland, Mount Liebig, in the Northern Territory. It illustrates aspects of landscape and culture that was told to Damien by his great-grandparents. Women sit with children collecting bush potatoes (the red shapes at the top of the painting) and are preparing for inma (ceremony). One man, wati, sits down with his waru (spear). Controlled burnings are taking place as the spinifex is dry, and this means good fruits can grow. The small star-like symbols represent women's body paint that the women paint on each other for inma. A dry creekbed runs through the painting (in red and white), and there are cracks in the claypans, dried rockholes (tjukula), and sandhills (tali).
12.5x19cm (5x7.5in)-MNM600
MALIKIJARRA JUKURRPA (TWO DOGS DREAMING)
In this Dreaming story, two dog ancestors, a Jampijinpa and a Napangardi, travelled from the west to the east. At Tapu (a rockhole), the two dogs separated. The female dog, Napangardi, went to the south, and the male dog, Jampijinpa, went to the north. Eventually, he became lonely and howled for Napangardi in the south.
She came running to him, and they married at Ngarnka. They wore men’s and women’s marriage headdresses, and Jampijinpa painted himself with white clay for the ceremony.
The two dogs continued running east before arriving in Warlaku (Ali Curung). Many other dogs were living in Warlaku when they arrived. There were many families of dogs—mothers, fathers, children, and uncles—all living together.
Jampijinpa and Napangardi made a burrow to rest in and started a big family of dogs there. They chose to stay in Warlaku and live with all the other dogs. In this way, the ‘malikijarra Jukurrpa’ (two dogs Dreaming) tells the story of proper conduct in families and marriages.