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Cotton Tea Towel - Digital Print - 62.5cm x 42.5cm-DYM975
This is a very detailed painting which describes a dry time of year in Damiens homeland, Mount Liebig. The painting illustrates aspects of landscape and culture around that area that was told to Damien by his great-grandmother and great- grandfather. There are women sitting with their children collecting bush potatoes (the mass of red shapes at the bottom of the painting). The women are talking and getting ready for a ceremony. There is one man (wati) sitting down with his waru (spear). The spinifex is dry and so the man is walking around making bushfires. He is a good man, he is undertaking controlled burnings so the spinifex burns up and then good fruits can grow after this. There are several symbols in this painting. The small sun-like symbols represent women's body painting these are the images the women are painting on each other as they sit down ready for inma traditional ceremony. There is a dry creek bed running through the painting (in red and white), and there are cracks in the ground and claypans. There are also dried rockholes (tjukula), and next to them are tali sandhills.
Cotton Tea Towel - Digital Print - 62.5cm x 42.5cm-AAD998
This is the story of the seven sisters. The sisters fled from Wati Nyiru creating the country and landscape around Andreas home, Mala. They created the rockholes, sandhills and rocky outcrops as they tried to escape. The women flew up into the sky. Now, Wati Nyiru can be seen as Orion in the sky and the sisters are the Pleiades constellation.
Coaster Set - 3.8x11x11cm-ABR800
This is a popular dreaming story of a group of sisters being chased through the desert by one man. There are numerous scenarios as the women travel around, chased by Wati Nyiru. Land forms were created as they all travelled though the countryside Eventually they rose up into the sky and form the Pleiades, a cluster of stars seen in the southern skies. There are many variations of this story, each language group has it's own chapters that relate to the landscape in their own country.
Coaster Set - 3.8x11x11cm-BLE611
The country associated with this painting is Mina Mina, a place far west of Yuendumu, significant to Napangardi and Napanangka women who are the custodians of the Jukurrpa that created the area. The Dreaming describes the journey of a group of women of all ages who travelled east gathering food, collecting Ngalyipi (Tinospora smilacina or snake vine) and performing ceremonies as they travelled. The women began their journey at Mina Mina where Karlangu (digging sticks) emerged from the ground. Taking these implements the women travelled east creating Janyinki and other sites. Their journey took them eventually beyond Warlpiri country. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. The primary motif used in paintings of the Jukurrpa are the Karlangu digging sticks which rose up out of the ground at Mina Mina. The women used them to collect bush tucker on their travels. This painting shows the motion of the digging sticks as the women move them to dig.
Bone China Mugs 380ml/13oz-GMA201
Gabriel has depicted Mimih spirits in this dynamic design. According to the Kunwinjku people of western Arnhem Land, Mimih spirits were the original spirit beings, who taught Aboriginal people many of the skills they needed to survive in the bush. They also taught aspects of ceremony.Mimih spirits are believed to inhabit the rocky escarpments around Gunbalanya but because they are e xtremely timid, they are rarely seen by humans. They are frequently depicted in the rock art of Arnhem Land as small, dynamic figures, often shown with a range of hunting tools such as spears, spear throwers, dilly bags and fire sticks.
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Rosie has depicted kurlkura trees in her country, Warlukurlangu, south of Yuendumu. The trees are shown in flower. The country offers a big water soakage (Ngapa) and is a place of rest for Nampijinpa/Jampijinpa/Nangala/Jangala skin groups.