Pauline Gallagher Mina Blue Stud Earrings - Sd042

Pauline Gallagher Mina Blue Stud Earrings - Sd042

Regular price $57.00

MINA MINA DREAMING 

This Jukurrpa / Dreaming comes from Mina Mina, a very important women s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The kirda / owners of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of mulju / water soakages and a maluri / clay pan at Mina Mina. In the Dreamtime, ancestral women danced at Mina Mina and karlangu / digging sticks rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ngalyipi / snake vine [Tinospora smilacina], and creating many places as they went. Ngalyipi is a rope-like creeper that grows up the trunks and limbs of trees, including kurrkara / desert oak [Allocasuarina decaisneana. It is used as a ceremonial wrap and as a strap to carry parraja / coolamons and ngami / water carriers. Ngalyipi is also used to tie around the forehead to cure headaches, and to bind cuts. The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like jintiparnta / desert truffle [Elderia arenivaga]. The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland. In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ngalyipi / snake vine. Concentric circles are often used to represent the jintiparnt /desert truffles that the women have collected, while straight lines can be used to depict the karlangu / digging sticks.

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