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Big Fella Rain by Beryl Webber
$20.00
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Big River and Water Hole by Bevan Tjampitjinpa #69
$670.00
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Big River Country: Stories from Elsey Station compiled by F. Merlan
$17.00
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Big Rock Hole By Bevan Tjampitjinpa #46
$250.00
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Big Rockhole by Bevan Tjampitjinpa #54
$150.00
Quick view
Big Tote Bag by Murdie Morris
$29.00
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Big Tote Bag featuring Long Time - Old People by Simplicia Tipungwuti
$29.00
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Big Tote Bag featuring Puli Puli Stones - By Keturah Zimran
$29.00
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Big Tote Bag featuring Two Dogs Dreaming by Murdie Morris
$29.00
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Big Tote Bag featuring Yalka Dreaming (bush onion) by Daphne Napurrula Marks
$20.00
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Big Tote Bag With Coolamon
$20.00
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Bigismob Jigiwan Dog By Johanna Bell En Dion Beasley
$25.00
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Billabong Fan from Mimmim
$35.00
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Billy Tea Tea Towel By Tangentyere Artists
$30.00
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Bininj Kunwok Phrase Book from Bininj Kunwok Regional Language Centre
$35.00
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Big River and Water Hole by Bevan Tjampitjinpa #69
Big River and Water Hole by Bevan Tjampitjinpa #69

Big River and Water Hole by Bevan Tjampitjinpa #69

Regular price $670.00
1 in stock

  • Artist: Bevan Tjampitjinpa
  • Title: Big River and Water Hole
  • Language: Anmatjere
  • Region: Ti-Tree, NT
  • Clan: Pmara Jutunta
  • Dreaming: Ahgee (Bush Plum)
  • Size: 120 x 40cm
  • Medium: Acrylic on Canvas

Biography:

Bevan Tjampitjinpa was born in Darwin and grew up visiting his homeland. Bevan studied in Darwin until Year 10 before moving to Ti Tree which is his Grandmother, Grandfather and Mother’s country and later moved to live with his Elders on the Anmatjere Lands.
 
He lived permanently with his Elders for the next ten years being taught the traditional ways and being initiated into the ceremonies and laws of the desert region. Bevan speaks fluent Anmatjere and knows the traditional law and how to hunt for bush tucker and bush animals
 
Bevan was taught to paint by elders in his family. From an early age he was interested in his family’s art and wanted to learn how it was done. Bevan was encouraged to use both brush and stick to produce traditional art which took him a number of years to perfect.
 
Bevan was taught by Peggy Nungulla Reily, Beryl Pultura, Barbra Leo, Judith Ross, Tommy Mbtajana and Mark Cook. His training covered a variety of techniques which included Dreamtime symbology and how to interpret various landscape features into the canvas. He was also taught how to make spears, shields and fighting sticks (nulla nulla) which are an important part of the hunting stories he portrays.
 
Bevan uses the traditional symbols to reflect the men’s hunting forays that he has been involved in and the women’s hunting and gathering expeditions that he has joined them on, to tell a modern story of how his family group and clan currently live.


Bevan’s presentation of his artwork shows the world a beautiful and educational story of his culture, family group and the depth of spirituality of his people. Bevan’s focus is on hunting stories and shows the every day life of these traditional people and how they find and gather food for the family group. The main source of life for people in this harsh desert is the waterhole that he depicts in many of the artworks.
 
Bevan is passionate about his culture and his art and is an artist destined to succeed.


Big Rockhole by Bevan Tjampitjinpa #54
Big Rockhole by Bevan Tjampitjinpa #54

Big Rockhole by Bevan Tjampitjinpa #54

Regular price $150.00
1 in stock

  • Artist: Bevan Tjampitjinpa
  • Title: Big Rockhole
  • Language: Anmatjere
  • Region: Ti-Tree, NT
  • Clan: Pmara Jutunta
  • Dreaming: Ahgee (Bush Plum)
  • Size: 43 x 25cm
  • Medium: Acrylic on Canvas

Biography:

Bevan Tjampitjinpa was born in Darwin and grew up visiting his homeland. Bevan studied in Darwin until Year 10 before moving to Ti Tree which is his Grandmother, Grandfather and Mother’s country and later moved to live with his Elders on the Anmatjere Lands.
 
He lived permanently with his Elders for the next ten years being taught the traditional ways and being initiated into the ceremonies and laws of the desert region. Bevan speaks fluent Anmatjere and knows the traditional law and how to hunt for bush tucker and bush animals
 
Bevan was taught to paint by elders in his family. From an early age he was interested in his family’s art and wanted to learn how it was done. Bevan was encouraged to use both brush and stick to produce traditional art which took him a number of years to perfect.
 
Bevan was taught by Peggy Nungulla Reily, Beryl Pultura, Barbra Leo, Judith Ross, Tommy Mbtajana and Mark Cook. His training covered a variety of techniques which included Dreamtime symbology and how to interpret various landscape features into the canvas. He was also taught how to make spears, shields and fighting sticks (nulla nulla) which are an important part of the hunting stories he portrays.
 
Bevan uses the traditional symbols to reflect the men’s hunting forays that he has been involved in and the women’s hunting and gathering expeditions that he has joined them on, to tell a modern story of how his family group and clan currently live.


Bevan’s presentation of his artwork shows the world a beautiful and educational story of his culture, family group and the depth of spirituality of his people. Bevan’s focus is on hunting stories and shows the every day life of these traditional people and how they find and gather food for the family group. The main source of life for people in this harsh desert is the waterhole that he depicts in many of the artworks.
 
Bevan is passionate about his culture and his art and is an artist destined to succeed.


Big Tote Bag by Murdie Morris
Big Tote Bag by Murdie Morris

Big Tote Bag by Murdie Morris

Regular price $29.00
4 in stock

Big Tote Bags - 48x35x15cm-MNM649
In this Dreaming story, two dog ancestors, a Jampijinpa and a Napangardi, travelled from the west to the east. At Tapu (a rockhole), the two dogs separated. The female dog, Napangardi, went to the south. The male dog, Jampijinpa, went to the north. Eventually he became lonely and howled for Napangardi in the south. She came running to him, and they married each other at Ngarnka. They wore men's and women;s marriage headdresses, and Jampijinpa painted himself with white clay for the ceremony. The two dogs continued running east, before arriving in Warlaku (Ali Curung). Many other dogs were living in Warlaku when they arrived. There were many families of dogs, mothers and fathers and children and uncles all living together. Jampijinpa and Napangardi made a burrow to rest in and started a big family of dogs there. They chose to stay in Warlaku and live with all the other dogs. In this way, the malikijarra Jukurrpa (two dogs Dreaming) tells the story of proper conduct in families and marriages.


ABORIGINAL BUSH TRADERS
Shop 4, 19 The Mall, Charles Darwin Centre (Opposite Tourism Top End), Darwin, NT, 0800.
Ph: 08 8931 6650
Email: info@aboriginalbushtraders.com


DRY SEASON HOURS
Gallery: Monday - Friday 9am – 3pm.

Café: Monday - Friday 7am – 2.00pm (Kitchen closes at 1.30pm).


Aboriginal Bush Traders is 100% not-for-profit.

We would like to acknowledge the Aboriginal and Torres Strait Islander People of Australia, the Traditional Owners of this land. We pay respect to them and to their Elders both past and present.

Aboriginal and Torres Strait Islander people are advised that this website may contain images and references to deceased people.

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