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Christine Burarrwanga – Artist from Yirrkala, N.E Arnhem Land
Christine is a Yolngu woman deeply connected to her culture. Christine has inherited her artistic style from her mother, which comes from her ancestors’ knowledge, lore and stories.
Christine has also released a book with Lucy Van Sambeek called “The Life of Tree.” This children’s therapeutic picture book creates a culturally safe space for Aboriginal children to express difficult emotions around their experiences with family violence. Through their organisation ‘metaphorically Speaking’, Christine offers culturally safe counselling and therapeutic services to Aboriginal women, children and families using both Western counselling methodologies and traditional Aboriginal healing methods.
This Centre began in 1994 with funding for the support of Tiwi with a disability and the core attendants today are disability artists. They have each developed exceptional creative skill. Sometimes referred to as free, loose, naive, or Outsider art, the work of Ngaruwanajirri artists is unique. A separate group of able-bodied Tiwi carvers work alongside this core group in a purpose-built space adjacent to the Keeping Place creating both large and small carvings.
Ken Wayne Kantilla works at Ngaruwanajirri Art Centre and is the current Chairman. He produces delicately executed works on paper with painstaking skill as well as paintings on canvas, ironwood carvings, and natural ochres on shells. In the 1980s Ken Wayne lived for two years in Victoria, attending St Bede`s College, Mentone. Ken has been included in major Ngaruwanajirri exhibitions since 1996, including Pupini Yinkiti Arimuwu Kapi Winga, Good Food, Sea Food, an ArtBack Nets Travelling Exhibition, 2000 - 2004.
Ken Wayne has a keen interest in Australian rules football, due to the success of his father David Kantilla, a South Australian player in the 1960s. His extreme patience is reflected in the painstakingly careful geometry of his paintings. He is regularly shown in the annual Darwin Ngaruwanajirri Exhibition at the time of the Darwin Festival and in Tarnathi Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia.
Ken Wayne's artwork is characterized by his exceptional skill of painting straight lines by hand. These lines create a rippled rhythm within his paintings often accentuated by depictions of daily Tiwi life including animals and cultural objects. Although his lines are robotically precise, the slight irregularity in his initial drawing reveals the unaided touch of his work.
Ken's unique style is enhanced by his exclusive use of natural Tiwi ochres. His meticulous attention to detail and unwavering dedication to his craft has earned him a well-deserved reputation as a skilled and respected artist in the community. Ken's artwork has been showcased in galleries and exhibitions across Australia
This Centre began in 1994 with funding for the support of Tiwi with a disability and the core attendants today are disability artists. They have each developed exceptional creative skill. Sometimes referred to as free, loose, naive, or Outsider art, the work of Ngaruwanajirri artists is unique. A separate group of able-bodied Tiwi carvers work alongside this core group in a purpose-built space adjacent to the Keeping Place creating both large and small carvings.
Ken Wayne Kantilla works at Ngaruwanajirri Art Centre and is the current Chairman. He produces delicately executed works on paper with painstaking skill as well as paintings on canvas, ironwood carvings, and natural ochres on shells. In the 1980s Ken Wayne lived for two years in Victoria, attending St Bede`s College, Mentone. Ken has been included in major Ngaruwanajirri exhibitions since 1996, including Pupini Yinkiti Arimuwu Kapi Winga, Good Food, Sea Food, an ArtBack Nets Travelling Exhibition, 2000 - 2004.
Ken Wayne has a keen interest in Australian rules football, due to the success of his father David Kantilla, a South Australian player in the 1960s. His extreme patience is reflected in the painstakingly careful geometry of his paintings. He is regularly shown in the annual Darwin Ngaruwanajirri Exhibition at the time of the Darwin Festival and in Tarnathi Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia.
Ken Wayne's artwork is characterized by his exceptional skill of painting straight lines by hand. These lines create a rippled rhythm within his paintings often accentuated by depictions of daily Tiwi life including animals and cultural objects. Although his lines are robotically precise, the slight irregularity in his initial drawing reveals the unaided touch of his work.
Ken's unique style is enhanced by his exclusive use of natural Tiwi ochres. His meticulous attention to detail and unwavering dedication to his craft has earned him a well-deserved reputation as a skilled and respected artist in the community. Ken's artwork has been showcased in galleries and exhibitions across Australia
This Centre began in 1994 with funding for the support of Tiwi with a disability and the core attendants today are disability artists. They have each developed exceptional creative skill. Sometimes referred to as free, loose, naive, or Outsider art, the work of Ngaruwanajirri artists is unique. A separate group of able-bodied Tiwi carvers work alongside this core group in a purpose-built space adjacent to the Keeping Place creating both large and small carvings.
Alexandrina Kantilla has been exhibiting her work since her first group exhibition, Pupuni Yinkiti Arimuwu Kapi Winga, Good Food- Sea Food, an ArtBack Nets Travelling Exhibition from 2000-2004. Alexandrina worked at the Ngaruwanajirri Art Centre, Bathurst Island, as a painter in natural ochres on Arches paper, on four colour lino block prints on paper, but her forte is batik- designing waxing and dyeing silk scarves using Drimarine K dyes and Naphthol dyes,. She has been included in most Ngaruwanajirri group exhibitions exhibiting long batik silk scarves. The latter, much admired for their beauty, were featured in the Darwin Supreme Court Festival of Darwin exhibition in 2006.
In 2007 her silk scarves were again featured in“Yirrinkiripwaja” a Ngaruwanajirri Group exhibition at FAC Gallery, University of Wollongong, N.S.W and in 2008 in the’ Fabulous Top End Fabrics - Exhibition of Textiles from the Tiwi Islands’ exhibition at Territory Craft.
Alexandrina Kantilla was again included in the extensive exhibition ‘Ngaruwanajirri: helping one another’ at Charles Darwin University Gallery 2011.
This Centre began in 1994 with funding for the support of Tiwi with a disability and the core attendants today are disability artists. They have each developed exceptional creative skill. Sometimes referred to as free, loose, naive, or Outsider art, the work of Ngaruwanajirri artists is unique. A separate group of able-bodied Tiwi carvers work alongside this core group in a purpose-built space adjacent to the Keeping Place creating both large and small carvings.
Ken Wayne Kantilla works at Ngaruwanajirri Art Centre and is the current Chairman. He produces delicately executed works on paper with painstaking skill as well as paintings on canvas, ironwood carvings, and natural ochres on shells. In the 1980s Ken Wayne lived for two years in Victoria, attending St Bede`s College, Mentone. Ken has been included in major Ngaruwanajirri exhibitions since 1996, including Pupini Yinkiti Arimuwu Kapi Winga, Good Food, Sea Food, an ArtBack Nets Travelling Exhibition, 2000 - 2004.
Ken Wayne has a keen interest in Australian rules football, due to the success of his father David Kantilla, a South Australian player in the 1960s. His extreme patience is reflected in the painstakingly careful geometry of his paintings. He is regularly shown in the annual Darwin Ngaruwanajirri Exhibition at the time of the Darwin Festival and in Tarnathi Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia.
Ken Wayne's artwork is characterized by his exceptional skill of painting straight lines by hand. These lines create a rippled rhythm within his paintings often accentuated by depictions of daily Tiwi life including animals and cultural objects. Although his lines are robotically precise, the slight irregularity in his initial drawing reveals the unaided touch of his work.
Ken's unique style is enhanced by his exclusive use of natural Tiwi ochres. His meticulous attention to detail and unwavering dedication to his craft has earned him a well-deserved reputation as a skilled and respected artist in the community. Ken's artwork has been showcased in galleries and exhibitions across Australia
This Centre began in 1994 with funding for the support of Tiwi with a disability and the core attendants today are disability artists. They have each developed exceptional creative skill. Sometimes referred to as free, loose, naive, or Outsider art, the work of Ngaruwanajirri artists is unique. A separate group of able-bodied Tiwi carvers work alongside this core group in a purpose-built space adjacent to the Keeping Place creating both large and small carvings.
Alexandrina Kantilla has been exhibiting her work since her first group exhibition, Pupuni Yinkiti Arimuwu Kapi Winga, Good Food- Sea Food, an ArtBack Nets Travelling Exhibition from 2000-2004. Alexandrina worked at the Ngaruwanajirri Art Centre, Bathurst Island, as a painter in natural ochres on Arches paper, on four colour lino block prints on paper, but her forte is batik- designing waxing and dyeing silk scarves using Drimarine K dyes and Naphthol dyes,. She has been included in most Ngaruwanajirri group exhibitions exhibiting long batik silk scarves. The latter, much admired for their beauty, were featured in the Darwin Supreme Court Festival of Darwin exhibition in 2006.
In 2007 her silk scarves were again featured in“Yirrinkiripwaja” a Ngaruwanajirri Group exhibition at FAC Gallery, University of Wollongong, N.S.W and in 2008 in the’ Fabulous Top End Fabrics - Exhibition of Textiles from the Tiwi Islands’ exhibition at Territory Craft.
Alexandrina Kantilla was again included in the extensive exhibition ‘Ngaruwanajirri: helping one another’ at Charles Darwin University Gallery 2011.