Selected Larger Works

• Artist: Patrick Ngalmi
• Title: Hunting Hero
• Size: 60cm x 80cm
• Medium: Acrylic on Canvas
• Region: Ngukurr

• Artist: Bevan Tjampitjinpa
• Title: Big Waterhole and River 
• Size: 54cm x 89cm 
• Region: Ti-Tree NT
• Medium: Acrylic on Canvas

Bevan Tjampitjinpa was born in Darwin and grew up visiting his homeland. Bevan studied in Darwin until Year 10 before moving to Ti Tree which is his Grandmother, Grandfather and Mother’s country and later moved to live with his Elders on the Anmatjere Lands.

He lived permanently with his Elders for the next ten years being taught the traditional ways and being initiated into the ceremonies and laws of the desert region. Bevan speaks fluent Anmatjere and knows the traditional law and how to hunt for bush tucker and bush animals

Bevan was taught to paint by elders in his family. From an early age he was interested in his family’s art and wanted to learn how it was done. Bevan was encouraged to use both brush and stick to produce traditional art which took him a number of years to perfect.

Bevan was taught by Peggy Nungulla Reily, Beryl Pultura, Barbra Leo, Judith Ross, Tommy Mbtajana and Mark Cook. His training covered a variety of techniques which included Dreamtime symbology and how to interpret various landscape features into the canvas. He was also taught how to make spears, shields and fighting sticks (nulla nulla) which are an important part of the hunting stories he portrays.

Bevan uses the traditional symbols to reflect the men’s hunting forays that he has been involved in and the women’s hunting and gathering expeditions that he has joined them on, to tell a modern story of how his family group and clan currently live.

Bevan’s presentation of his artwork shows the world a beautiful and educational story of his culture, family group and the depth of spirituality of his people. Bevan’s focus is on hunting stories and shows the everyday life of these traditional people and how they find and gather food for the family group. The main source of life for people in this harsh desert is the waterhole that he depicts in many of the artworks.

Bevan is passionate about his culture and his art and is an artist destined to succeed.

• Artist: Bess Napanangka Poulson
• Title: Ngapa Jukurrpa (Water Dreaming) - Puyurru
• Size: 107cm x 107cm
• Skin Name: Napanangka

• Title: 2 Baru Nesting
  
• Artist: Christine Burarrwanga
  
• Size: 138 x 80cm
  
• Medium: Acrylic on Canvas
• Region: Yirrkala
  

Artist Profile:

Christine Burarrwanga - Artist from  Yirrkala, N.E Arnhem Land

A Yolngu woman deeply connected to her culture, Christine has inherited her artistic style from her mother which comes from her ancestors’ knowledge, lore and stories. 

Christine has also released a book, with Lucy Van Sambeek, called “The Life of Tree.” This children’s therapeutic picture book creates a culturally safe space for Aboriginal children to express difficult emotions around their experiences with family violence.

Through their organization ‘Metaphorically Speaking’, Christine offers culturally safe counselling and therapeutic services to Aboriginal women, children, and families using both Western counselling methodologies and traditional Aboriginal healing methods.

• Artist: Susan Wanji Wanji
• Title: Puloti
• Size:  100 x 100 cm
• Medium: Ochre on Canvas

• Artist: Jacinta Numina
• Title: Thorny Devil Dreaming 
• Size: 87 x 146cm
• Medium: Acrylic on Canvas
• Languages: Anmatyerre, Kayte & Alywarra
• Region: Utopia, NT
• Outstation: Atnangkere

• Artist: Sandy Japanardi Walker 
• Title: Kanagaroo and Emu Hunt
• Size: 152cm x 92cm 
• Region: Alice Springs, Haastbluff
• Medium: Acrylic on canvas

Kangaroo and Emu hunt

Aboriginal Australians and gathers, live in the harsh deserts, hunting kangaroos and emus. Women and children gather bush tucker, honey ants, bush berries, bush bananas, rock-holes are plenty for water and swimming.

Sandy was born in Alice Springs in 1956, he is of Loritja tribe group and his skin name is Japanardi. His mother was born at Haastbluff in the Western Desert of the Tanami Desert. His father was born at Oodnadatta in South Australia. His parents passed away when he was 6 or 7 years old. He was one of the stolen generation children, taken to Croker Island (Minjalang) in Arnhem Land. In 1965 the mission was closed and Sandy moved to live in Darwin. In 1967 he was fostered out in Hobart (Tasmania) with adopted parents. In 1968 Sandy was back in Darwin and then down to Victoria with his new adopted family. Sandy completed his schooling in Darwin in 1970.

After Cyclone Tracy, he worked in various job in South Australia. After which he came back in 1980 to his place of birth in Alice Spring to find his real identity. Sandy spent a lot of time with the Elders of his immediate family to find about himself. He learnt Aboriginal art watching his family members (Uncles and extended family) in Alice Spring, Papunya, and the western desert area. Sandy has the permission to paint Kangaroo Dreaming, Emu Dreaming, Honey Ants Dreaming, Bush Tucker, Goanna Dreaming.

27/2/2026

• Artist: Bevan Tjampitjinpa
  
• Title: Three big Rock Holes (Soakage) Dry Time
• Language: Anmatjere
• Region: Ti-Tree, NT
  
• Clan: Pmara Jutunta
  
• Dreaming: Ahgee (Bush Plum)
  
• Size: 151x88cm
  
• Medium: Acrylic on Canvas

Biography:

Bevan Tjampitjinpa was born in Darwin and grew up visiting his homeland. Bevan studied in Darwin until Year 10 before moving to Ti Tree which is his Grandmother, Grandfather and Mother’s country and later moved to live with his Elders on the Anmatjere Lands.
 
He lived permanently with his Elders for the next ten years being taught the traditional ways and being initiated into the ceremonies and laws of the desert region. Bevan speaks fluent Anmatjere and knows the traditional law and how to hunt for bush tucker and bush animals
 
Bevan was taught to paint by elders in his family. From an early age he was interested in his family’s art and wanted to learn how it was done. Bevan was encouraged to use both brush and stick to produce traditional art which took him a number of years to perfect.
 
Bevan was taught by Peggy Nungulla Reily, Beryl Pultura, Barbra Leo, Judith Ross, Tommy Mbtajana and Mark Cook. His training covered a variety of techniques which included Dreamtime symbology and how to interpret various landscape features into the canvas. He was also taught how to make spears, shields and fighting sticks (nulla nulla) which are an important part of the hunting stories he portrays.
 
Bevan uses the traditional symbols to reflect the men’s hunting forays that he has been involved in and the women’s hunting and gathering expeditions that he has joined them on, to tell a modern story of how his family group and clan currently live.

Bevan’s presentation of his artwork shows the world a beautiful and educational story of his culture, family group and the depth of spirituality of his people. Bevan’s focus is on hunting stories and shows the every day life of these traditional people and how they find and gather food for the family group. The main source of life for people in this harsh desert is the waterhole that he depicts in many of the artworks.
 
Bevan is passionate about his culture and his art and is an artist destined to succeed.

• Artist: Bevan Tjampitjinpa
  
• Title: Emu and Kangaroo going to Waterhole
• Language: Anmatjere
• Region: Ti-Tree, NT (Central Desert)
  
• Clan: Pmara Jutunta
  
• Dreaming: Ahgee (Bush Plum)
  
• Size: 151x87cm
  
• Medium: Acrylic on Canvas

Biography:

Bevan Tjampitjinpa was born in Darwin and grew up visiting his homeland. Bevan studied in Darwin until Year 10 before moving to Ti Tree which is his Grandmother, Grandfather and Mother’s country and later moved to live with his Elders on the Anmatjere Lands.
 
He lived permanently with his Elders for the next ten years being taught the traditional ways and being initiated into the ceremonies and laws of the desert region. Bevan speaks fluent Anmatjere and knows the traditional law and how to hunt for bush tucker and bush animals
 
Bevan was taught to paint by elders in his family. From an early age he was interested in his family’s art and wanted to learn how it was done. Bevan was encouraged to use both brush and stick to produce traditional art which took him a number of years to perfect.
 
Bevan was taught by Peggy Nungulla Reily, Beryl Pultura, Barbra Leo, Judith Ross, Tommy Mbtajana and Mark Cook. His training covered a variety of techniques which included Dreamtime symbology and how to interpret various landscape features into the canvas. He was also taught how to make spears, shields and fighting sticks (nulla nulla) which are an important part of the hunting stories he portrays.

Bevan uses the traditional symbols to reflect the men’s hunting forays that he has been involved in and the women’s hunting and gathering expeditions that he has joined them on, to tell a modern story of how his family group and clan currently live.

Bevan’s presentation of his artwork shows the world a beautiful and educational story of his culture, family group and the depth of spirituality of his people. Bevan’s focus is on hunting stories and shows the every day life of these traditional people and how they find and gather food for the family group. The main source of life for people in this harsh desert is the waterhole that he depicts in many of the artworks.
 
Bevan is passionate about his culture and his art and is an artist destined to succeed.