• Artist: Faye Parriman, Natasha Lloyd, Celina Lloyd, Leticia Lloyd, Jessica Lloyd
• Title: Beyond Everlasting Ugudungu
• Size: 152cm x 145cm
• Medium: Acrylic on Canvas 
• Region: Mullewa WA

Due to the large size of this piece, shipping is $200 to capital cities within Australia. If insurance is required, please email info@aboriginalbushtraders.com to arrange payment. 

• Artist: Jessica Lloyd
• Title: Two Nans 
• Size: 106cm x 114cm
• Medium: Acrylic on Canvas
• Region: Mullewa, WA.   Broome, WA

Due to the large size of this piece, shipping is $175 to capital cities within Australia. If insurance is required, please email info@aboriginalbushtraders.com to arrange payment. 

2 Nannas & the Emu Nest/The Giant Emu in the Sky

My nanna always shows me how the stars tell us about the life of the emu. By Looking at the giant emu in the sky she can tell when it is mating season and when the male emus are sitting on the eggs. This story is during the cooler months (June/July) when the male emus are sitting on the eggs.

Nanna and nanna Edie were young girls and one afternoon they spotted a big emu nest while riding their bikes through the bush. Leaving their bikes they sneaked their way through the scrubs looking out for the male emu. With nanna Edie on lookout making sure the emu wasn't around nanna Faye slowly crawled to the nest, using her hands to feel for eggs. One at a time she reached for the eggs (she could only carry 2). She crawled back to nanna Edie rushing back to their bikes as it was now late in the afternoon. The family got worried for them as it was getting really dark and when they got back to their family, they got into big trouble.

Pop Jonathon is my nanna’s brother. When pop Jonathon lived with us (my mum, dad, my sisters and me) he also taught us about the giant emu in the sky. Pop Jonathon calls our mum his daughter and us girls are his grannies. Pop Jonathon is a Ngangkari, a desert healer and the giant emu in the sky is his totem. He gave us his story and taught us to paint all the different parts of the story, even how to paint the leaves of the giant tree and the spears.

When my great nanna, nanna lily, was pregnant she was eating emu with her family, and she became very sick. Soon after pop Jonathon was born and he was born with a large round birth mark on his shoulder, right where the spear had killed the emu. That is why nanna lily was sick and could not eat the emu and this is why the giant emu is pop Jonathon’s totem.

In the dreaming, a giant emu travelled through the country eating the people. To kill the giant emu a magic warrior made his special spears and he put on his head band and body paint. He left with his dingo and went looking for the giant emu. When he found where the emu was living, he hid in the only large tree that he could find and waited for the emu to walk past. The warrior killing the giant emu and the emus blood turned into a river before soaking into the ground and turning into gold. The giant emu’s body turned into the hills and mountains, and his spirit went up to the sky in the milky way, where we can still see him today.

• Artist: Leticia Lloyd
• Title: Butterfly Springs
• Size: 65cm x 90cm
• Medium: Acrylic on Canvas
• Region: Mullewa, WA.    Broome, WA

Nudagun is where we camp far way from the butterfly springs. When someone or something disturbs the springs, the butterflies fly past the paperbark trees all the way to Nudagun. When we see the butterflies lost at Nudagun, we know someone is coming.

Leticia Lloyd

Leticia Lloyd is a contemporary Aboriginal and digital artist whose work explores colour, pattern, emotion and the calming rhythms of ocean Country. Working across both traditional and digital mediums, her artistic practice reflects strong connections to family, culture and the intergenerational knowledge shared through both saltwater and desert wildflower Country.

A graduate of the Diploma of Arts at Charles Darwin University, Leticia combines contemporary Aboriginal art practices with digital illustration and design. Her work often incorporates flowing movement, layered colour palettes and intricate patterning inspired by the ocean, natural landscapes and moments spent on Country with family.

Leticia is also recognised internationally through her published colouring book Serenity Mandala Collection: Inspired by the Ocean, available through Amazon. The publication reflects her interest in mindfulness, creativity and the therapeutic qualities of art, drawing inspiration from ocean textures, marine life and the peaceful rhythms of saltwater environments.

Coming from a strong family lineage of artists and cultural educators, Leticia’s creative practice is deeply influenced by her grandmother, Faye Parriman, a respected Yamatji and Noongar artist, educator and Stolen Generations survivor, as well as her mother, Natasha Lloyd, an award-winning contemporary Aboriginal artist. Her artistic influences are also shaped by her grandfather Kevin Parriman, a respected Jabirr Jabirr/Ngumbarl and Yawuru cultural educator and storyteller from the West Kimberley whose teachings continue to inspire the family’s connection to saltwater Country.

Alongside her sisters Celina Lloyd and Jessica Lloyd, Leticia contributes to a growing intergenerational family art practice grounded in storytelling, cultural continuity and lived experiences on Country. Through time spent on both desert wildflower and saltwater Country, her work reflects ongoing learning, cultural connection and family memory.

In Beyond Everlastings, Leticia presents works that celebrate the strength of intergenerational knowledge and the enduring connections between land, sea and family. Her contemporary artistic practice honours the stories and cultural teachings passed through generations while bringing a fresh and evolving perspective to contemporary Aboriginal art.

• Artist: Natasha Lloyd
• Title: Carnot Bay (Nudagun)
• Size: 92cm x 65cm
• Medium: Acrylic on Canvas
• Region: Mullewa, WA and Broome, WA