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Cotton Tea Towel - Digital Print - 62.5cm x 42.5cm-KZI324
The ancient Australian landscape with its eroded forms and organic shapes provides motivation for Keturah's art. In this work Keturah depicts the natural rock formations (puli) found in and around Haasts Bluff.
Better World Arts has been operating for over two decades. Our role models were Oxfam, Fred Hollows (the Fred Hollows Foundation) and Anita Roddick (The Body Shop).
Initially, we worked with traditional handicrafts. In 1996 we invited Aboriginal artists to join our projects and soon after we decided to focus on the Aboriginal art side of the projects and left the normal handicrafts to others like Oxfam.
We work with traditional artisans from remote regions in Kashmir, Peru, West Bengal, Uttar Pradesh and Nepal (Tibetan refugees). More recently we have started working with China, making bone china and silk ties.
We work with Australian Aboriginal artists from remote communities across Australia, from Arnhem Land to Central and the Western Desert regions, from rural locations and from cities.
We are members of The Fair Trade Association of Australia and New Zealand and we are endorsed by Fair Traders of Australia. So, what is the difference?
To become a member of The Fair Trade Association of Australia and New Zealand you simply pay a membership fee. In order to receive an endorsement as a Fair Trader of Australia, the business operations and practises are assessed and audited against the 10 principles of Fair Trade.
The 10 internationally recognised standards of Fair Trade are:
In our most recent audit, we were assessed on our relationships with Aboriginal artists and other Aboriginal suppliers. All of our overseas suppliers are either certified as fair traders in their own right, have SEDEX certification or have passed a private audit. As well as external certifications many of the workers involved in our manufacture are unionised and use their unions effectively to leverage their rights and conditions as workers.
Valuing partnerships and ethical trading is at the heart of Better World Arts Cross-Cultural Projects. Fair Trade is about constructive economic empowerment, equal relationships and justice, not charity dependence. Sustainable trade delivers reliable livelihoods to all participants. We create opportunities and give indigenous artists and artisans access to international markets and the mainstream economy, directly contributing to community empowerment and the preservation of culture.
Cotton Tea Towel - Digital Print - 62.5cm x 42.5cm-JPA145
During Ceremony on the Tiwi Islands a series of "Yoi", dances are performed, some are totemic (matrilineal) and others act out newly composed songs. Participants are painted with turtiyanginari (natural ochres) transforming the dancers and protecting them against mapurtiti (spirits). These designs are collectively called Jilamara.
Cotton Tea Towel – Digital Print – 62.5cm x 42.5cm-JWO826
Julie is telling the story of two sisters travelling through her mother’s country towards Docker River, Northern Territory. They stopped at Ilkuwaratjara and cut a wana (digging sIck). The punu (wood) was really straight. The little sister was gettng homesick, but the big sister said; “No, I am taking you to meet your family.” Along the way they were digging for kuka (meat such as goanna) and Niny (Bilby). They got kuka and they were happy to have a good feed. The ‘U’ shapes are the sisters. Next to them are their wana or digging sick. The circles represent rock or water holes where water collects after the rains.
Cotton Tea Towel – Digital Print – 62.5cm x 42.5cm-SWA150
2013 Telstra Aboriginal and Torres Strait Islander Art Award finalist Susan Wanji Wanji grew up in Maningrida and as a young girl learnt to make bark paintings and intricately woven mats and baskets. Susan has since a unique style that has influence from both Tiwi and Arnhem Land cultures. In 1992 Susan Wanji Wanji travelled to Paris representing Munupi Arts