Cotton Tea Towel - Digital Print - 62.5cm x 42.5cm-KZI324

The ancient Australian landscape with its eroded forms and organic shapes provides motivation for Keturah's art. In this work Keturah depicts the natural rock formations (puli) found in and around Haasts Bluff.

Cotton Tea Towel - Digital Print - 62.5cm x 42.5cm-JPA145

During Ceremony on the Tiwi Islands a series of "Yoi", dances are performed, some are totemic (matrilineal) and others act out newly composed songs. Participants are painted with turtiyanginari (natural ochres) transforming the dancers and protecting them against mapurtiti (spirits). These designs are collectively called Jilamara.

Cotton Tea Towel - Digital Print - 62.5cm x 42.5cm-MNM600

In this Dreaming story, two dog ancestors, a Jampijinpa and a Napangardi, travelled from the west to the east. At Tapu (a rockhole), the two dogs separated. The female dog, Napangardi, went to the south. The male dog, Jampijinpa, went to the north. Eventually he became lonely and howled for Napangardi in the south. She came running to him, and they married each other at Ngarnka. They wore men’s and women's marriage headdresses, and Jampijinpa painted himself with white clay for the ceremony. The two dogs continued running east, before arriving in Warlaku (Ali Curung). Many other dogs were living in Warlaku when they arrived. There were many families of dogs, mothers and fathers and children and uncles all living together. Jampijinpa and Napangardi made a burrow to rest in and started a big family of dogs there. They chose to stay in Warlaku and live with all the other dogs. In this way, the malikijarra Jukurrpa (two dogs Dreaming) tells the story of proper conduct in families and marriages

MALIKIJARRA JUKURRPA (TWO DOGS DREAMING)

In this Dreaming story, two dog ancestors, a Jampijinpa and a Napangardi, travelled from the west to the east. At Tapu (a rockhole), the two dogs separated. The female dog, Napangardi, went to the south, and the male dog, Jampijinpa, went to the north. Eventually, he became lonely and howled for Napangardi in the south.

She came running to him, and they married at Ngarnka. They wore men’s and women’s marriage headdresses, and Jampijinpa painted himself with white clay for the ceremony.

The two dogs continued running east before arriving in Warlaku (Ali Curung). Many other dogs were living in Warlaku when they arrived. There were many families of dogs—mothers, fathers, children, and uncles—all living together.

Jampijinpa and Napangardi made a burrow to rest in and started a big family of dogs there. They chose to stay in Warlaku and live with all the other dogs. In this way, the ‘malikijarra Jukurrpa’ (two dogs Dreaming) tells the story of proper conduct in families and marriages.